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Edited by Tapas Sarkar; Ph. D. Scholar; 



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Project: Humane Archive

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The “Humane Archive” is a platform that archives the values, meaning, and dimensions of human beings, being in existence with nature, and its manifestations- non-human identities. This initiative is profoundly dedicated to archiving the documentary lives of ordinary people, as it frames the project as an act of compassionate preservation. The word “humane” establishes an ethic of empathy and dignity, promising that these stories will be explored with tenderness and a focus on our shared human qualities- our quiet resilience, subtle joys, and unspoken philosophies. Paired with “archive,” which signifies a permanent, curated collection; thus, the name elevates everyday existence to the status of a historical record. It declares that these uncelebrated lives are not fleeting moments but essential manifestations for understanding the human condition, worthy of being saved from oblivion and contemplated with care. In short, the purpose of this endeavour is a quiet, reflective counter-narrat...
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Artists are alienated

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Tapas Sarkar; Essay:  The creation of an artist is either based on imagination or reality or can be mixed with fantasy and reality. The image of imagination and the concrete knowledge of reality is directly reflected oh human psychology. And all these procedures and environments happen in/within a society. Therefore, what human psychology represents is simply the simulation of the social exhibition. So, it can be said that the creation of art, by artists, is a simulation of society. The human with their sense, sentient, and conscience are the medium of this socio-psychological system of simulation. This representation of simulation is not fixed; it changes at different ages after several perceptions of generations. Therefore, the definition, form, meaning, and representation change from time to time. What can be art to someone can be destructive sense to others, or some others' perceptions of life can be the true presentation of art.       Now, why the artists a...
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Crisis in the Indigenous Rajbanshi S. C. Community of Bengal

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Article; Tapas Sarkar: Li ke other indigenous people, Rajbanshi community is a mass tolerant indigenous and ethnically oriented community which has been, geographically and demographically, residing in different areas in diverse situations. As the four states of India- Bengal, Assam, Bihar, and Meghalaya are identified as Rajbanshi resident regions, and simultaneously the same community is also dwelling in Bangladesh, Bhutan, and Nepal with minimal existence. Whithersoever they are living, they are confronting extreme identity crisis being divided by political and geographical conditions. With this context the Rajbanshi community of the six districts of Bengal (Cooch Behar, Darjeeling, Jalpaiguri, and, especially Malda, Dakshin Dinajpur, and Uttar Dinajpur), are currently undergoing through traditional, cultural, social, and historical identity crisis surreptitiously containing the same language, identical culture, and similar but constantly modified tradition from generation to genera...
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